Saturday, November 19, 2011

Millennium Mom: Tips to Help You Go from a Working Woman to a Working Mom

Harry Potter and the Goblet of Fire (Single-Disc Widescreen Edition)

  • Format: Widescreen, Closed-captioned, Dubbed, DVD, Subtitled, NTSC
  • Language: English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only.)
  • Aspect Ratio: 1.33:1
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools - the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named. In this fourth film adaptation of J.K. Rowling's Harry Potter series, everything changes as Harry, Ron and Hermione leave childhood forever and take on challenges greater than anything they could have imagined.The latest entry in the Harry Potte! r saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold.

But don't worry, there's ! plenty of wizardry and action in Goblet of Fire. When t! he deadl y Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson a! s Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim

Zoo York Boys 2-7 Straight Core Hoody, Black, 4

Beautiful Boy: A Father's Journey Through His Son's Addiction

  • ISBN13: 9780547203881
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
What had happened to my beautiful boy? To our family? What did I do wrong? Those are the wrenching questions that haunted every moment of David Sheff’s journey through his son Nic’s addiction to drugs and tentative steps toward recovery. Before Nic Sheff became addicted to crystal meth, he was a charming boy, joyous and funny, a varsity athlete and honor student adored by his two younger siblings. After meth, he was a trembling wraith who lied, stole, and lived on the streets. David Sheff traces the first subtle warning signs: the denial, the 3 A.M. phone calls (is it Nic? the police? the hospital?), the rehabs. His preoccupation with Nic became an addiction in itself, and the obsessive worry ! and stress took a tremendous toll. But as a journalist, he instinctively researched every avenue of treatment that might save his son and refused to give up on Nic.
Beautiful Boy is a fiercely candid memoir that brings immediacy to the emotional rollercoaster of loving a child who seems beyond help.

Amazon Best of the Month, February 2008: From as early as grade school, the world seemed to be on Nic Sheff's string. Bright and athletic, he excelled in any setting and appeared destined for greatness. Yet as childhood exuberance faded into teenage angst, the precocious boy found himself going down a much different path. Seduced by the illicit world of drugs and alcohol, he quickly found himself caught in the clutches of addiction. Beautiful Boy is Nic's story, but from the perspective of his father, David. Achingly honest, it chronicles the betrayal, pain, and terrifying question marks that haunt the loved ones of an addict. Many respond to addict! ion with a painful oath of silence, but David Sheff opens up p! ersonal wounds to reinforce that it is a disease, and must be treated as such. Most importantly, his journey provides those in similar situations with a commodity that they can never lose: hope --Dave Callanan

Funny Games

  • FUNNY GAMES (DVD MOVIE)

Genre: Suspense
Rating: R
Release Date: 10-JUN-2008
Media Type: DVD Michael Haneke is a modern master, which his spellbinding films Cache and The Piano Teacher proved to an international audience. When it came time for a Hollywood remake of his ultra-disturbing 1997 picture Funny Games, who better than Haneke himself to helm the new version? And indeed, the second Funny Games bears the impeccable sense of control and technique that the Austrian version had: it is a horrifyingly precise account of a family terrorized by two psychopathic young thugs at a vacation home. For anyone who's already seen the '97 film, this new one--a nearly shot-by-shot transcription of the original--will seem superfluous, no matter how impressive the performances of Naomi Watts and Tim Roth are. (Michael Pitt and Brady Corbe! t are suitably creepy as their menacers, too.) For newbies, the movie might be as infuriating and thought-provoking as Haneke intends it to be. That's because Funny Games is an intellectual game itself, a direct rebuke to the audience that gobbles up gratuitous violence and cynical manipulation. Haneke sets up our expectations, and then refuses to provide the conventional catharsis… or the conventional anything. All of this was pretty bracing in the first go-round, but feels like gamesmanship in the remake. Even if you dig what Haneke's up to, this is a brutal movie-watching experience. --Robert HortonStudio: Kino International Release Date: 03/11/2008 Run time: 104 minutesIt is impossible to have a neutral opinion about the Austrian thriller Funny Games--a movie so relentless in its ability to shock that it gained pariah status on the film festival circuit in 1997. In the warped tradition of A Clockwork Orange, Henry: Portrait of a Serial Killer! , and Blue Velvet, this is a film--directed with el! ectrifyi ng audacity by Munich-born Michael Haneke--that addresses the controversy of screen violence by making the viewer as guilty as the Leopold and Loeb-like killers who terrorize a young family of three during their summer vacation. They arrive as friendly neighbors, seducing the family with phony congeniality, but soon Funny Games reveals its devious strategy, turning savage and appalling... and completely captivating for those who can endure the terror. There's actually less violence than you'd see in a typical American horror flick such as Scream, but Haneke's forceful staging effectively fulfills his agenda of viewer complicity; we vividly experience this doomed family's fate and feel helpless to save them. So helpless, in fact, that Haneke dares to offer a hint of respite by giving a victim the upper hand, only to "replay" the same scene with the darkest of outcomes. Funny Games is guaranteed to outrage some viewers with its manipulative schemes, but th! ere's no denying the film's visceral impact, generated by Haneke's expert handling of a superior cast. Don't even think of allowing anyone under age 17 to watch this film; all others should proceed with caution. --Jeff Shannon

Annapolis (Full Screen Edition)

  • Working-class tough guy Jake Huard (James Franco) gets a chance to make good when he's accepted into the famed Annapolis Naval Academy, but his buddies and dad back at the shipyard doubt he'll last a month. The film moves through his first year at the academy, culminating in the big boxing tournament, which is Huard's chance to get revenge against his stoic-beyond-the-call-of-duty seni
Filled with intense action, ANNAPOLIS is an inspirational tale of courage and honor that will keep you riveted. As hard as it is to get into the most elite military academy in the country, surviving behind its walls is beyond belief. Young Jake Huard (James Franco) has always known he has what it takes to make the grade. But once inside, everything Jake thought he knew is challenged in ways he never could have imagined. Standing between him and his lifelong ambition of becoming an officer in the U.S. Navy is hi! s company commander -- Midshipman Lt. Cole (Tyrese Gibson), a relentless and merciless battle-seasoned Marine. Thrilling and exhilarating, ANNAPOLIS reaffirms the power of believing in your dreams.A boxing movie done up in Naval Academy drag, Annapolis stars James Franco (Spider-Man, Tristan & Isolde) as Jake Huard, a shipbuilder's son who wants to prove to his father--and to himself--that he can cut it as a Naval officer. But at the Academy he runs afoul of a hard-nosed training officer named Cole (Tyrese Gibson, Four Brothers), who does all he can to drive Huard out of the school. They end up settling their differences in the boxing ring during the Academy's annual competition. Annapolis is a bundle of cliches, from Huard's interracial mix of roommates to the lessons he learns about teamwork, but it's an efficient and vigorous bundle of cliches. Director Justin Lin (Better Luck Tomorrow) keeps the pace swift and the visuals snappy, parti! cularly in the boxing scenes. Franco and Gibson work hard to o! utdo eac h other's burning gazes; both are handsome men of modest acting talent, but they suit their roles reasonably well. Also featuring Jordana Brewster (The Fast and the Furious), Donnie Wahlberg (Saw II), and the always charming Chi McBride (Roll Bounce). --Bret Fetzer

Gunnin' For That #1 Spot (Special 2 Disc Set)

  • GUNNIN' FOR THAT #1 SPOT 2 DISC SET (DVD MOVIE)
GUNNIN FOR THAT 1 SPOT - DVD Movie It takes a while to hit its stride, but once that happens, Beastie Boy Adam Yauch’s Gunnin' for That #1 Spot does a terrific job capturing the hustle and flow of basketball, the sport it depicts. "They’re gonna be millionaires in about five years," says the P.A. announcer (a hip and hilarious character known as Bobbito) of the players from around the country who come to compete in the first "Elite 24 High School All-American Game," held in ’06 in Harlem’s Rucker Park, home to countless playground legends. For some, including 2008 NBA first-round draft picks Kevin Love, Michael Beasley, and Jerryd Bayless, it happened a lot sooner than that; for others it won’t happened at all. But at the time, all the studs on the Blue and White teams had big-time hoop dreams, and the Rucker event was a chance ! to strut their stuff on a big stage. Problem is, it takes the better part of an hour to get to the actual game; profiles of the players, including visits to their home towns and interviews with friends, family, and others, are perfectly amiable but end up being rather monotonous (fewer than half are included in the documentary itself, with the others found on the second DVD, which is devoted entirely to bonus material). But when they finally hit the outdoor court, the doc starts to rock (never were a sport and a music style better matched than basketball and hip-hop, so it’s no surprise that Yauch’s use of tracks by Ludacris, Nas, Jay-Z, his own band, and many others, including Old Skool R&B stars like Kool and the Gang, is nigh on perfect). The game is by far the best part of the show, with great court-level fisheye shots and deft editing (including the use of slo-mo and sound effects); Bobbito is a hoot (a personal favorite among his nicknames: Kyle "Wireless" Singler! ), and it’s a close, exciting contest to boot. Among the oth! er bonus material are deleted scenes, the players’ own home video footage of their trip to NYC, and even a section devoted to Beasley’s trash talk on the court. --Sam Graham