- The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced picture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a gri
Director Jan Sverák's
Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (
Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Cze! ch Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them.
--Fionn MeadeUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Czech ( Dolby Digital 5.1 ), Englis! h ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), English! ( Subti tles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Commentary, Documentary, Featurette, Interactive Menu, Making Of, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: ***ATTENTION***Audio is a mix of Czech, English & German languages***Subtitles - English language*** The most durable war films tend to have a personal dimension, and Dark Blue World is no exception. This simple but affecting story of Czech air pilots serving in the RAF during the Second World War is sensitively directed by Jan Sverak from a script by his father Zdenek, whose Kolya was an unexpected but deserved hit with UK audiences. Dark Blue World focuses on the relationship between Frantisek Slama (played with quiet authority by Ondrej Vetchy) and his protégé Karel Vojtisek (a fresh-faced Krystof Hadek). Escaping Czechoslovakia during the Nazi invasion of 1939, they enlist in the RAF, where the father/son relationship is threatened by their mutual attraction to the apparentl! y widowed Susan (Tara Fitzgerald, thoughtfully understated). The film's culmination sees them reconciled in moving circumstances, and the perspective is widened by scenes set in 1950: Slama, as with most Czech soldiers who fought with the Allies, having been sentenced to hard labour by the Communist authorities as a potential security threat. His decent treatment by a German doctor, as opposed to the brutality of the Czech guards, points up the tragic irony of those who fought for freedom, only to finish up on the "wrong" side of the Iron Curtain. Sverak maintains a persuasive balance between action sequ...Dark Blue World ( Tmavomodrý svet ) ( Leidenschaft in dunklen Tagen )Director Jan Sverák's
Dark Blue World embraces sentimentality with such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were place! d in work camps upon their return home by a then-entrenched, p! aranoid Communist regime. Sverák (
Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusive excess. Like a charismatic captain steeling his company before battle, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them.
--Fionn MeadeDirector Jan Sverák's
Dark Blue World embraces sentimentality wi! th such brio it is hard to resist. The film relays the little-known WWII story of Czech fighter pilots who escaped the Nazi occupation of their country to fight in Britain's Royal Air Force. Those who survived the battles were placed in work camps upon their return home by a then-entrenched, paranoid Communist regime. Sverák (
Kolya) tacks back and forth between Franta (Ondrej Vetchy), a worldly captain in the defunct Czech Air Force, and Karel (Krystof Hádek), his earnest young recruit, as they leave home to fight the enemy on foreign soil. Only one returns to tell his story, from a prison hospital bed. While enduring life in the RAF with fellow Czech pilots, Franta and Karel manage to fall in love with the same woman, learn English, swing dance, recite poems, sing rousing Czech songs, and perform heroic feats. Dogfights in the air and inevitable losses ensue, but it is the genuine camaraderie evoked by a gifted cast of Czech actors that saves the film from effusiv! e excess. Like a charismatic captain steeling his company befo! re battl e, Sverák can't resist indulging romantic clichés, but his actors, in their fresh intensity, are more than up to the task set before them.
--Fionn MeadeMarch 15, 1939: Germany invades Czechoslovakia. Czech pilots flee to England, joining the RAF. After the war, back home, they are put in labor camps, suspected of anti-Communist ideas. This film cuts between a post-war camp where Franta is a prisoner and England during the war, where Franta is like a big brother to Karel, a very young pilot. On maneuvers, Karel crash lands by the rural home of Susan, an English woman whose husband is MIA. She spends one night with Karel, and he thinks he's found the love of his life. It's complicated by Susan's attraction to Franta. How will the three handle innocence, Eros, friendship, and the heat of battle? When war ends, what then?The critically-acclaimed triumph from visionary director Alex Proyas (I, Robot, The Crow) is back with a brand new directors cut featuring enhanced pic! ture and sound, never-before-seen footage and three commentary tracks that take you deeper than ever before into the world of one of sci-fis most exciting and revered tales. When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious group of pale men who seem to control everything and everyone in the city. Starring Rufus Sewell (The Illusionist), Jennifer Connelly (A Beautiful Mind), William Hurt (A History of Violence) and Kiefer Sutherland (TVs 24).If you're a fan of brooding comic-book antiheroes, got a nihilistic jolt from
The Crow (1994), and share director Alex Proyas's highly developed preoccupation for style over substance, you might be tempted to call
Dark City an instant classic of visual imagination. It's one of those films that exists in a world purely of its own making, setting its own rules and playing by them fairly, so tha! t even its derivative elements (and there are quite a few) ac! quire th eir own specific uniqueness. Before long, however, the film becomes interesting only as a triumph of production design. And while that's certainly enough to grab your attention (
Blade Runner is considered a classic, after all), it's painfully clear that
Dark City has precious little heart and soul. One-dimensional characters are no match for the film's abundance of retro-futuristic style, so it's best to admire the latter on its own splendidly cinematic terms. Trivia buffs will be interested to know that the film's 50-plus sets (partially inspired by German expressionism) were built at the Fox Film Studios in Sydney, Australia, home base of director Alex Proyas and producer Andrew Mason. The underground world depicted in the film required the largest indoor set ever built in Australia.
--Jeff Shannon
