Thursday, December 1, 2011

Flight of the Red Balloon

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America Freedom to Fascism

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Four Christmases

  • Every Christmas happily unmarried Brad and Kate escape divorced parents and exasperating relatives by getting on a plane. This year a fog rolls in, the airport shuts down and the couple is forced to celebrate four family Christmases in one hectic, hilarious day. Vince Vaughn and Reese Witherspoon lead an all-star cast in a comedy brimming with good cheer and great laughs -- as well as the answer t
When their only daughter Blair leaves the family nest, Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar, and when Blair callson Christmas Eve to announce a surprise visit with her new fiancée, the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration eve! r.Slapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over what studio-boss-turned-director Joe Roth did to his bestselling novel Skipping Christmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some idea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. ! --Jeff ShannonA hilarious family comedy! Subtitled in Engl! ish, Fre nch, Chinese, Thai. Wide and full screen.Matthew Broderick and Danny DeVito are hilarious as two neighbors trying to put the "win" in "winter" in one of the year's funniest comedies! Determined to unseat Steve Finch's (Broderick) reign as the town's holiday season king, Buddy Hall (DeVito) plasters his house with so many decorative lights that it'll be visible from space! When their wives (Kristin Davis and Kristin Chenoweth) bond, and their kids follow suit, the two men only escalate their rivalry ­ and their decorating. It's anybody's guess whether the holidays will wind up jolly or jostled in this wild and woolly laugh-fest that the whole family will love!Good neighbors can be hard to come by and when the flighty Buddy Hall (Danny Devito) moves in across the street from the conservative Dr. Steve Finch (Matthew Broderick), it quickly becomes apparent that the two men are complete opposites. While Finch methodically plans out every minute of the coming Christmas season! for his family, Buddy craves freshness and excitement and is seized by an impulsive desire to decorate his house so brightly that it can be seen from space. While the men's wives Kelly (Kristin Davis) and Tia (Kristin Chenoweth) and their children revel in one another's differences and form solid friendships, a rivalry of personalities and Christmas spirit ensues between the two men that will wind up testing the patience and love of every member of both families. This is fun, comical holiday entertainment for the entire family ages 9 and older. --Tami Horiuchi

Beyond Deck the Halls


The Holidays on DVD
Matthew Broderick Films
Danny DeVito Films



Stills from Deck the Halls







Facing another lonely christmas drew wants to re! visit his childhood home & relive holiday memories. But when he gets there he finds another family living in the home. Drew offers a nice financial reward to the family. But is his cash the beginning of an annoying visitor who is overeager to celebrate christmas? Studio: Paramount Home Video Release Date: 08/19/2008 Starring: Ben Affleck Christina Applegate Run time: 91 minutes Rating: Pg13Ben Affleck is well-cast as Drew Latham, a millionaire on the verge of nervous collapse, a man with no sense of self who tries to buy the trappings of life--including the family that just happens to be living in his childhood home. He jumps around with a plastic smile on his face, trying to impose himself on the bribed household, who--even though the parents are on the verge of divorce--are still more psychologically coherent than he is. Surviving Christmas has been unfairly trashed due to anti-Affleck sentiment in the post-Gigli era; though the movie eventually succumb! s to bland formula, it has some moments of bracing dark comedy! and gen uine empathy, mostly thanks to James Gandolfini (The Sopranos, The Mexican) and Catherine O'Hara (A Mighty Wind, Beetlejuice) as the parents--two superb actors who could breathe life into any banal script. Also featuring Christina Applegate (Anchorman, View from the Top). --Bret FetzerSlapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over what studio-boss-turned-director Joe Roth did to his bestselling novel Skipping Christmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes! easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some idea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. --Jeff ShannonWhen their only daughter Blair leaves the family nest Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar and when Blair calls on Christmas Eve to announce a surprise visit with her new fianc e the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration ever! With fast-paced energy and support from Dan Aykroyd Cheech Marin Jake Busey and M. Emmet Walsh this hilarious adaptation of John Grish! am's best-selling novel "Skipping Christmas" has become "an in! stant fa mily classic!" (Gorman Woodfin CBN)System Requirements: Running Time 99 MinFormat: UMD Genre: COMEDY Rating: PG UPC: 043396125452 Manufacturer No: 12545Slapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over what studio-boss-turned-director Joe Roth did to his bestselling novel Skipping Christmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some id! ea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. --Jeff ShannonJINGLE ALL THE WAY FAMILY FUN EDITION - DVD MovieIt's Christmas Eve, and Arnold needs to find a Turbo Man action figure, the craze of the season. Only they're sold-out, of course. So the race is on, and Arnold does fierce battle with other shoppers and merchants alike, all for the prize toy with which to purchase his son's affections. His chief rival and nemesis is Sinbad, a mailman who's always going--you guessed it--postal. (Must have looked good on paper.) All of which is unwittingly very sad, on the content level. But the film supposes itself to be amiable enough, on its own shabby terms, even when it climbs out of the screen and starts gnawing at your furniture. If the humor were to get broader it would make HDTV obsolete. The tone can only be termed good-naturedly mean-spirited. Goofy carniva! l music runs continuously in the background so we never forget! that wh at we're seeing is, er, um, funny. All the action is composed of comic violence, like an unhip Warner Bros. cartoon. Do the filmmakers actually consider this cynical foray to be indicative of the Christmas spirit? Apparently so, because the resolution has Arnold winning quite inadvertently, and offers no clear alternative to the competitive commercialism that drives the film's attempts at humor. In a key scene that's meant to be touching, Arnold and Sinbad sit down for a heart-to-heart in which we learn that receiving much-wanted Christmas presents in our formative years is responsible for our success in adulthood. You get that Turbo Man, you'll be a billionaire; don't get it, you'll be a loser. Such is the formidable challenge of parenthood, to cater to the child's whims while it can still make a difference. This is what's wrong with this country. --Jim GayA couple struggles to visit all four of their divorced parents on christmas day. Studio: New Line Home V! ideo Release Date: 11/24/2009 Starring: Reese Witherspoon Robert Duvall Run time: 120 minutes Rating: Pg13 Director: Seth GordonWhen your significant other tells you you both need an exit "safe word" before you enter his dad's Christmas gathering, you know you're not in Bedford Falls. But while Vince Vaughn and Reese Witherspoon may not be It's a Wonderful Life's George and Mary Bailey, Four Christmases is a modern holiday classic in its own right. For one thing, every family neurosis and dysfunction have taken root in the four families of Vaughn and Witherspoon's characters, Brad and Kate--and the sleek yuppie façade each has built with the other is about to come tumbling down. There are real belly laughs as the couple unexpectedly has to spend holidays with their four extended family groups. "I don't want to speak ill of your mother on Christmas," growls Howard (Robert Duvall) to son Brad, while Brad's bullnecked ultimate-fighter brothers are rassling ! everything in sight, "but she's nothing but a common street wh! ore." Br ad may cringe, but Kate's own family is about to mortify her in abundant ways, from her randy "Gram-Gram" and about-to-pounce cougar mom Mary Steenburgen ("I feel like a Saudi prince in here," marvels Brad as all of Kate's female relatives drape themselves over him), to the revelation to Brad that Kate used to be--how to put this--a bit on the chubby side. If the plot isn't full of surprises, the quips are nonstop and the acting believable and charming. The supporting cast also includes Sissy Spacek, Jon Voight, Jon Favreau and Dwight Yoakam in a memorable turn as the mega-church pastor Steenburgen's character is involved with. It's a comic Christmas blessing, and there'll be no need to say "mistletoe"--at least not till the viewers are home with their own families. --A.T. Hurley
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Chocolat

  • ISBN13: 9780140282030
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed! in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonNom! inated for 5 Academy Awards(R) including Best Picture, Best Ac! tress (J uliette Binoche -- THE ENGLISH PATIENT), and Best Supporting Actress (Judi Dench -- SHAKESPEARE IN LOVE), CHOCOLAT is the beautiful and captivating comedy from the acclaimed director of THE CIDER HOUSE RULES! Nobody could have imagined the impact that the striking Vianne (Binoche) would make when she arrived in a tranquil, old-fashioned French town. In her very unusual chocolate shop, Vianne begins to create mouth-watering confections that almost magically inspire the straitlaced villagers to abandon themselves to temptation and happiness! But it is not until another stranger, the handsome Roux (Johnny Depp -- SLEEPY HOLLOW), arrives in town that Vianne is finally able to recognize her own desires!With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing g! uitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is im! mediate and reciprocal. Splendid subplots involve a battered w! ife (Len a Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonChocolate is the beautiful and captivating comedy from the acclaimed director of the Cider House Rules! Nobody could have imagined the impact that the striking Vianne(Binoche) would make when she arrived in a tranquil, old-fashioned French town. In her very unusual chocolate shop, Vianne begins to create mouth-watering confections that almost magically inspire the strailaced villagers to abandon themselves to temptation and happiness! But it is not until another stranger, the handsome Roux arrives in town that Vianne is finally able to recognize her own desires!With movies like Chocolat, it's always best to relax your ! intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threat! ens to disrupt their repressive traditions. The pious mayor (A! lfred Mo lina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonJuliette Binoche and Johnny Depp star in the “delicious” (Good Morning America) romantic comedy that swept audiences off their feet and earned 5 Oscar® nominations including Best Picture. When Vianne (Binoche) arrives into a sleepy, old-fashioned French village and opens a chocolate shop, she sends the townspeople into a flutter with her uniquely gifted treats. Before long the straitlaced villagers find them! selves abandoning their reservations and succumbing to their deepest desires! But when the handsome stranger Roux (Depp) breezes into town, Vianne discovers that she too is susceptible to the charms of love in this sweet confection from the director of The Cider House Rules.With movies like Chocolat, it's always best to relax your intellectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when p! laced in a fable that's as warmly inviting as this one.

Dr! iven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonWith movies like Chocolat, it's always best to relax your inte! llectual faculties and absorb the abundant sensual pleasures, be it the heart-stopping smile of chocolatier Juliette Binoche as she greets a new customer, an intoxicating cup of spiced hot cocoa, or the soothing guitar of an Irish gypsy played by Johnny Depp. Adapted by Robert Nelson Jacobs from Joanne Harris's popular novel and lovingly directed by Lasse Hallström, the film covers familiar territory and deals in broad metaphors that even a child could comprehend, so it's no surprise that some critics panned it with killjoy fervor. Their objections miss the point. Familiarity can be comforting and so can easy metaphors when placed in a fable that's as warmly inviting as this one.

Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens ! to disrupt their repressive traditions. The pious mayor (Alfre! d Molina ) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff ShannonGreeted as "an amazement of riches . . . few readers will be able to resist" by The New York Times, Chocolat is an enchanting novel about temptation, pleasure, and the ultimate folly of self-denial. The town of Lansquenet, solemnly preparing for Lent, is set astir when Vianne Rocher and her spirited daughter arrive on the heels of the carnival and open a chocolate shop across the square from the church.! Vianne's uncanny ability to perceive her customers' private discontents and alleviate them with just the right chocolate treats quickly charms the villagers--and enrages Pere Reynaud, the conservative local priest. Certain that only a witch could create such magical cures, Reynaud vows to block the chocolate festival Vianne plans for Easter Sunday and to run her out of town forever. Witch or not (she'll never tell), Vianne soon sparks a dramatic confrontation between those who prefer the cold comforts of the church and those who revel in their newly discovered taste for pleasure.

"Delectable . . . delicious"-- (USA Today)

"Part fairy tale, part morality tale, laden with high farce and tongue-in-cheek humor . . . suffused with lush detail and finely drawn interesting characters."-- Philadelphia Inquirer

"Harris writes with verve and charm . . . if Colette and Hawthorne had collaborated, the result might have been this serious delight."-- ! The New Yorker

The perfect treat for Valentine'! s Day an d EasterVianne Rocher and her 6-year-old daughter, Anouk, arrive in the small village of Lansquenet-sous-Tannes--"a blip on the fast road between Toulouse and Bourdeaux"--in February, during the carnival. Three days later, Vianne opens a luxuriant chocolate shop crammed with the most tempting of confections and offering a mouth-watering variety of hot chocolate drinks. It's Lent, the shop is opposite the church and open on Sundays, and Francis Reynaud, the austere parish priest, is livid.

One by one the locals succumb to Vianne's concoctions. Joanne Harris weaves their secrets and troubles, their loves and desires, into her third novel, with the lightest touch. There's sad, polite Guillame and his dying dog; thieving, beaten-up Joséphine Muscat; schoolchildren who declare it "hypercool" when Vianne says they can help eat the window display--a gingerbread house complete with witch. And there's Armande, still vigorous in her 80s, who can see Anouk's "imag! inary" rabbit, Pantoufle, and recognizes Vianne for who she really is. However, certain villagers--including Armande's snobby daughter and Joséphine's violent husband--side with Reynaud. So when Vianne announces a Grand Festival of Chocolate commencing Easter Sunday, it's all-out war: war between church and chocolate, between good and evil, between love and dogma.

Reminiscent of Herman Hesse's short story "Augustus," Chocolat is an utterly delicious novel, coated in the gentlest of magic, which proves--indisputably and without preaching--that soft centers are best. --Lisa Gee, Amazon.co.uk

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Almost Famous [Blu-ray]

  • cameron crowe almost famous kate hudson
Audiences and critics alike are raving about this larger-than-life rock'n 'roll favorite that Roger Ebert calls "one of the best movies of the year!" The guys of Stillwater have the sound, they have the look and Rolling Stone Magazine wants their story. For young reporter William Miller, it's the opportunity of a lifetime as he hits the road with his favorite band and discovers the price of fame, the value of family and the limits of friendship.Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalization of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to ! '70s rock & roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (Frances McDormand, just superb) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalized mixture of the Allman Brothers, Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet fin! ale, Crowe's comedic valentine is an indelible, heartbreaking ! romance of music, women, and the privilege of youth. --Doug ThomasCameron Crowe's award-winning semi-autobiographical look at the world of 1970s rock music will be presented in its longer "bootleg cut," with a 162-minute run time. Special features include: * Audio commentary with Cameron Crowe and Alice Crowe * Audio introduction by Crowe * Featurette: The Making of Almost Famous * Interview with the real Lester Bangs * Cameron Crowe's Top Albums of 1973 * Music video: "Fever Dog" * Stillwater's Cleveland Concert * "Small Time Blues" * Stairway * "B-Sides" behind-the-scenes footage * Seven Rolling Stone articles with audio introduction by Crowe: o The Allman Brothers from Dec. 6, 1973 o Led Zeppelin from March 13, 1975 o Neil Young from Aug. 14, 1975 o Peter Frampton from Feb. 10, 1977 o Fleetwood Mac from March 24, 1977 o Van Morrison from May 19, 1977 o Joni Mitchell from July 26, 1979Almost Famous is the movie Cameron Crowe has been waiting a lifetime to tell. The fictionalization of Crowe's days as a teenage reporter for Creem and Rolling Stone has all the well-written characters and wonderful "movie moments" that we expect from Crowe (Jerry Maguire), but the film has an intangible something extra--an insider's touch that will turn the film into the ode to '70s rock & roll for years to come. We are introduced to Crowe's alter ego, William Miller (Patrick Fugit), at home, where his progressive mom (Frances McDormand, just superb) has outlawed rock music and sister Anita (Zooey Deschanel) has slipped him LPs that will "set his mind free." Following the wisdom of Creem's disheveled editor, Lester Bangs (Philip Seymour Hoffman in an instant-classic performance), Miller gets on the inside with the up-and-coming band Stillwater (a fictionalized mixture of the Allman Brothers! , Led Zeppelin, and others). A simple visit with the band turns into a three-week, life-altering odyssey into the heyday of American rock. Of the characters he meets on the road, the two most important are groupie extraordinaire Penny Lane (Kate Hudson in a star-making performance) and Stillwater's enigmatic lead guitarist (Billy Crudup), who keeps stringing Miller along for an interview. From the handwritten credits (done by Crowe) to the bittersweet finale, Crowe's comedic valentine is an indelible, heartbreaking romance of music, women, and the privilege of youth. --Doug Thomas
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Charlotte's Web

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Cats Don't Dance

  • The rags-to-riches story of Danny, a talented cat whose lifelong goal of movie stardom is sidetracked when he discovers only humans get the good roles in Hollywood. On the big screen, animals can bark, meow or moo, but cats don't dance. Danny vows to break through the "species barrier" and prove that dreams really can come true.Running Time: 120 min. Format: DVD MOVIE Genre: CHILDREN R
The rags-to-riches story of Danny, a talented cat whose lifelong goal of movie stardom is sidetracked when he discovers only humans get the good roles in Hollywood. On the big screen, animals can bark, meow or moo, but cats don't dance. Danny vows to break through the "species barrier" and prove that dreams really can come true. Actually, cats do dance, and there are a lot of little cat feet tapping all over this odd animated film. Complaints about originality can't be leveled here; the film works within the c! onfines of the musical genre, but there's never really been anything like this. Danny the cat is from Kokomo, and he's got a short list of things he has to do to become a big star in Hollywood. Unfortunately, he's unaware that animals, even talented ones, aren't even considered for showy parts in films. They're considered window dressing for humans, especially big stars such as Darla Dimple, the unlikely antagonist here. The music is by Randy Newman, and it's not really his best, but toe tapping may occur. The animation is reminiscent of an upgraded Animaniacs, and there's a frenetic, jittery sense to the scenes (mostly dealing with slapstick humor). Older fans of animation or bygone Hollywood will have much more to appreciate here than small children, but that's refreshing in itself. --Keith Simanton
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Brick

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Brendan Frye is a loner, someone who knows all the angles but has chosen to stay on the outside. When the girl he loves turns up dead, he is determined to find the "who" and "why" and plunges into the dark and dangerous social strata of rich girl Laura, intimidating Tug, drug-addled Dode, seductive Kara, and the ominous Pin. But who can he really trust? These are the ingredients of Brick, a gritty and provocative thriller that critics describe as "a clever, twist-filled whodunit!" (Claudia Puig, USA Today) High school collides with hard-boiled film noir in the twisty, cunning Brick. When he gets a mysterious message from his ex-girlfriend, a high school loner named Brendan (Joseph Gordon-Levitt, Mysterious Skin) starts to dig into a crisscrossed web of drugs and duplicity, eventually ! getting entwined in the criminal doings of a teenage crime lord known as the Pin (Lukas Haas), his thuggish henchman Tugger (Noah Fleiss, Joe the King), and a mysterious girl named Laura (Nora Zehetner, Fifty Pills). Brick has not only the seductive, labyrinthine plot of a crime thriller by Dashiell Hammett (The Maltese Falcon) or Raymond Chandler (Farewell, My Lovely) but also a dense high-school version of hard-boiled lingo that's both comic and poetic. The movie unfolds with headlong momentum as Brendan manipulates, fights, and staggers his way through layers of high-school society. Gordon-Levitt is excellent; between this and the equally compelling Mysterious Skin, he's left his 3rd Rock from the Sun days behind. Also featuring Meagan Good (Waist Deep) and Richard Roundtree (Shaft). --Bret Fetzer

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Galaxy Quest

  • Comedy DVD
GALAXY QUEST (DELUXE EDITION) - DVD MovieYou don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who th! reatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shann! onFor four years, the courageous crew of the NSEA protecto! r - "Com mander Peter Quincy Taggart" (Tim Allen), "Lt. Tawny Madison (Sigourney Weaver) and "Dr.Lazarus" (Alan Rickman) - set off on a thrilling and often dangerous mission in space...and then their series was cancelled! Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beam up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives.You don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes al! ways stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and th! e phenomenon of fandom. Best of all is the splendid cast, incl! uding Si gourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff ShannonFor four years, the courageous crew of the NSEA Protector - "Commander Peter Quincy Taggart" (Tim Allen), "Lt. Tawny Madison" (Sigourney Weaver) and "Dr. Lazarus" (Alan Rickman) - set off on thrilling and often dangerous missions in space . . . and then their series was canceled!

Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beamed up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives in this hilarious adventure Jeffery Lyons (NBC-TV) calls "The funniest, wittiest comedy of the year."You! don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, ! having studied the "historical documents" of the Galaxy Que! st T V show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shannon

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