Saturday, December 3, 2011

Triple Feature - Hart's War/Thin Red Line/Tigerland

  • 3 Discs
Bruce Willis stars as an imprisoned officer who refuses to give up his fight to defeat the Nazis inthis "absorbing" (Roger Ebert) WWII adventure. Co-starring Colin Farrell (Minority Report) and packed with "crisp action sequences" (Los Angeles Times), Hart's War is a powerful and "stirring tribute to soldierly courage and honor" (L.A. Daily News). When Col. William McNamara (Willis) is stripped of his freedom in a German POW camp, he's determined to keep onfightingeven from behind enemy lines. Enlisting the help of a young lieutenant (Farrell) in a brilliant plot against his captors, McNamara risks everything on a mission to free his men and change the outcome of the war.Anyone who appreciates subtle tension will enjoy this World War II prison-camp drama, based on John Katzenbach's novel, in which honor, courage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the r! anking U.S. prisoner in a Nazi POW camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller with an ethical twist, Hart's War works best as a study of heroism under extraordinary circumstances. --Jeff ShannonHART'S WAR - Blu-Ray MovieAnyone who appreciates subtle tension will enjoy this World War II p! rison-camp drama, based on John Katzenbach's novel, in which h! onor, co urage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the ranking U.S. prisoner in a Nazi POW camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller with an ethical twist, Hart's War works best as a study of heroism under extraordinary circumstances. --Jeff ShannonHART'S WAR - DVD ! MovieAnyone who appreciates subtle tension will enjoy this World War II prison-camp drama, based on John Katzenbach's novel, in which honor, courage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the ranking U.S. prisoner in a Nazi POW camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller wit! h an ethical twist, Hart's War works best as a study of! heroism under extraordinary circumstances. --Jeff ShannonBruce Willis stars as an imprisoned officer who refuses to give up his fight to defeat the Nazis inthis "absorbing" (Roger Ebert) WWII adventure. Co-starring Colin Farrell (Minority Report) and packed with "crisp action sequences" (Los Angeles Times), Hart's War is a powerful and "stirring tribute to soldierly courage and honor" (L.A. Daily News). When Col. William McNamara (Willis) is stripped of his freedom in a German POW camp, he's determined to keep onfightingeven from behind enemy lines. Enlisting the help of a young lieutenant (Farrell) in a brilliant plot against his captors, McNamara risks everything on a mission to free his men and change the outcome of the war.Anyone who appreciates subtle tension will enjoy this World War II prison-camp drama, based on John Katzenbach's novel, in which honor, courage, and sacrifice are revealed in unexpected ways. Bruce Willis plays the ranking U.S. prisoner in a Nazi POW ! camp, joined in December 1944 by a law-student lieutenant (up-and-coming star Colin Farrell) who'd been captured despite his father's powerful military connections. When a black pilot (Terrence Dashon Howard) from the famous Tuskeegee airmen is falsely accused of murdering a fellow prisoner, Farrell tries his case and discovers the real motivation behind Willis's kangaroo court. While combining elements of Stalag 17 and The Great Escape, director Gregory Hoblit (Primal Fear, Frequency) spices this moral dilemma with well-crafted suspense and a rousing dogfight sequence, but the human drama remains muted despite fine, understated performances by Willis, Farrell, and Howard. An escape thriller with an ethical twist, Hart's War works best as a study of heroism under extraordinary circumstances. --Jeff ShannonSecond Lieutenant Tommy Hart, a navigator whose B-25 was shot out of the sky in 1942, is burdened with guilt as the only survivin! g member of his crew. Now he is just another POW at the fierce! ly guard ed Stalag Luft 13 in Bavaria.

Then routine comes to a halt with the arrival of a new prisoner: First Lieutenant Lincoln Scott, an African American Tuskegee airman who instantly becomes the target of contempt from his fellow soldiers. When a prisoner is brutally murdered, and all the blood-soaked evidence points to Scott, Hart is tapped to defend the soldier. In a trial rife with racial tension and raw conflict, where the lines between ally and enemy blur, there are those with their own secret motives, and a burning passion for a rush to judgment, no matter what the cost.Stalag 17 meets the best of John Grisham in this tremendously exciting and moving new thriller, about a murder trial inside a German prisoner-of-war camp during World War II. John Katzenbach has taken elements of his own father's history in such a camp, added a racial twist (the defendant is a black pilot, a member of the legendary Tuskegee Airmen), and created a memorable adventure story t! hat soars with hope and cries out to be filmed.

The first thing that former law student Tommy Hart does after his B-25 is shot down and he--the only survivor--is captured, is to fill out a form for the International Red Cross, telling his family he's alive and requesting, under "Special Items Needed," a copy of Edmund's Principles of Common Law. Amazingly, the book is waiting when he arrives at Stalag Luft Thirteen in the Bavarian woods. Hart soon puts it to good use, defending (with the help of two other prisoners, a former London barrister and a Canadian police detective) the prickly, proud Lieutenant Lincoln Scott when he is charged with killing a racist and corrupt fellow prisoner. The Nazis, especially a resident SS observer, have their own reasons for wanting the trial to be seen as a fair one, and it takes place against the backdrop of a planned mass escape.

Katzenbach deftly balances a dozen major characters with credible scenes of ! legal and extra-legal action. His previous thrillers, availabl! e in pa perback, include Day of Reckoning, In the Heat of the Summer, Just Cause, The Shadow Man, State of Mind, and The Traveler. --Dick AdlerSecond Lieutenant Tommy Hart, a navigator whose B-25 was shot out of the sky in 1942, is burdened with guilt as the only surviving member of his crew. Now he is just another POW at the fiercely guarded Stalag Luft 13 in Bavaria.

Then routine comes to a halt with the arrival of a new prisoner: First Lieutenant Lincoln Scott, an African American Tuskegee airman who instantly becomes the target of contempt from his fellow soldiers. When a prisoner is brutally murdered, and all the blood-soaked evidence points to Scott, Hart is tapped to defend the soldier. In a trial rife with racial tension and raw conflict, where the lines between ally and enemy blur, there are those with their own secret motives, and a burning passion for a rush to judgment, no matter what the cost.

From the Paperback edition.Stalag 17 meets the best of John Grisham in this tremendously exciting and moving new thriller, about a murder trial inside a German prisoner-of-war camp during World War II. John Katzenbach has taken elements of his own father's history in such a camp, added a racial twist (the defendant is a black pilot, a member of the legendary Tuskegee Airmen), and created a memorable adventure story that soars with hope and cries out to be filmed.

The first thing that former law student Tommy Hart does after his B-25 is shot down and he--the only survivor--is captured, is to fill out a form for the International Red Cross, telling his family he's alive and requesting, under "Special Items Needed," a copy of Edmund's Principles of Common Law. Amazingly, the book is waiting when he arrives at Stalag Luft Thirteen in the Bavarian woods. Hart soon puts it to good use, defending (with the help of two other prisoners, a ! former London barrister and a Canadian police detective) the ! prickly, proud Lieutenant Lincoln Scott when he is charged with killing a racist and corrupt fellow prisoner. The Nazis, especially a resident SS observer, have their own reasons for wanting the trial to be seen as a fair one, and it takes place against the backdrop of a planned mass escape.

Katzenbach deftly balances a dozen major characters with credible scenes of legal and extra-legal action. His previous thrillers, available in paperback, include Day of Reckoning, In the Heat of the Summer, Just Cause, The Shadow Man, State of Mind, and The Traveler. --Dick AdlerSecond Lieutenant Tommy Hart, a navigator whose B-25 was shot out of the sky in 1942, is burdened with guilt as the only surviving member of his crew. Now he is just another POW at the fiercely guarded Stalag Luft 13 in Bavaria.

Then routine comes to a halt with the arrival of a new prisoner: First Lieutenant Lincoln Scott, an African American Tus! kegee airman who instantly becomes the target of contempt from his fellow soldiers. When a prisoner is brutally murdered, and all the blood-soaked evidence points to Scott, Hart is tapped to defend the soldier. In a trial rife with racial tension and raw conflict, where the lines between ally and enemy blur, there are those with their own secret motives, and a burning passion for a rush to judgment, no matter what the cost.


From the Paperback edition.

American Gun

High Heels and Low Lifes

  • Minne Driver (Good Will Hunting) and Mary McCormack (Mystery, Alaska) star as best friends who take on low-life thieves in this hilarious high-energy action-comedy. It all starts when Shannon (Driver), a nurse at a London emergency room, and Frances (McCormack), a struggling American actress, overhear bank robbers on a radio scanner making off with a fortune. They make contact and demand a cut at
Minnie Driver (GOOD WILL HUNTING) and Mary McCormack (GUN SHY) star as best friends who take on low-live thieves in this hilarious high-energy action-comedy. It all starts when Shannon (Drier), a nurse at a London emergency room, and Frances (McCormack), a struggling American actress, overhear bank robbers on a radio scanner making off with a fortune. They make contact and demand a cut of the loot. But when the stubborn felons refuse to hand over a penny and threaten their lives in return, the girls ! decide to raise the stakes and give the thugs a run for their money! Packed with daring heists, double-crossings, and high-speed hilarity, HIGH HEELS AND LOW LIFES is the most fun you can have this side of the law.Supremely silly and entirely entertaining, High Heels and Low Lifes begins with a high-tech bank robbery--into the middle of which stumble Shannon (Minnie Driver) and Frances (Mary McCormack), who have gone out and gotten drunk because Shannon's boyfriend forgot her birthday. Thanks to this same boyfriend's surveillance equipment (on which he was creating his "urban noise symphony installation"), they end up with a cell phone number belonging to one of the thieves and decide to experiment with blackmail--an experiment that soon gets them into deep trouble. None of this is remotely plausible, but the breezy script keeps taking surprising twists, Driver and McCormack are an engaging duo (and they run to and fro in tight, stylish outfits), and the mo! vie is directed with flair. Fun, frivolous, and unexpected. --Bret Fetzer

Human Trafficking

  • HUMAN TRAFFICKING (DVD MOVIE)
Here's the hip, adrenaline-pumped comedy about one wild weekend in the lives of five young friends ... and how their latest raved-up adventure just might change their outlook before the next weekend arrives! For Jip, Lulu, Koop, Nina, and Moff, workdays are merely the dreary downtime between frenetic 48-hour binges of clubbing, pubbing, and partying without rules or limits! But when these friends spend a wild weekend in search of some meaning and real connections, they'll see things in ways they've never imagined! Fast, funny, and excitingly original -- discover for yourself this widely acclaimed hit!Human Traffic wants to be a Trainspotting for the rave set, and so it has thick British accents, hip snotty attitudes, slick visuals, a propulsive electronic soundtrack, and unfortunately some very weak writing and drab characters. A band of friends, w! ith the cute names of Jip, Koop, Nina, Lulu, and Moff, are sex-obsessed clubgoers having some sort of premature midlife crisis. Jip and Lulu are best friends, only their friendship is about to be threatened by sexual tension. Koop gets ravingly jealous about his girlfriend, Nina. Moff masturbates a lot and has a repressive dad. Jip's mother is a prostitute. Koop's father is a paranoid schizophrenic. What little plot there is revolves around whether or not they'll get into a particularly hip club. Critics usually complain that movies are too much like music videos, but Human Traffic could stand to be more of one. All the best moments are when the tepid dialogue stops and the driving beats and quickly edited images take over. A brief break dancing sequence is a moment of genuine dazzle. The actors aren't completely without charm, but the movie is just trying too hard to achieve the effervescent buzz it seeks. --Bret FetzerStudio: Lions Gate Home Ent. Release D! ate: 05/17/2011 Run time: 84 minutes Rating: RHuman Traff! ic w ants to be a Trainspotting for the rave set, and so it has thick British accents, hip snotty attitudes, slick visuals, a propulsive electronic soundtrack, and unfortunately some very weak writing and drab characters. A band of friends, with the cute names of Jip, Koop, Nina, Lulu, and Moff, are sex-obsessed clubgoers having some sort of premature midlife crisis. Jip and Lulu are best friends, only their friendship is about to be threatened by sexual tension. Koop gets ravingly jealous about his girlfriend, Nina. Moff masturbates a lot and has a repressive dad. Jip's mother is a prostitute. Koop's father is a paranoid schizophrenic. What little plot there is revolves around whether or not they'll get into a particularly hip club. Critics usually complain that movies are too much like music videos, but Human Traffic could stand to be more of one. All the best moments are when the tepid dialogue stops and the driving beats and quickly edited images take over. A ! brief break dancing sequence is a moment of genuine dazzle. The actors aren't completely without charm, but the movie is just trying too hard to achieve the effervescent buzz it seeks. --Bret Fetzer40 choice electronica cuts from top acts of the late '90s, including CJ Bolland, Fat Boy Slim, Death In Vegas, Orbital, Armand Van Helden, Carl Cox, Underworld & Primal Scream. The 15 tracks on the second disc are a continuous mix courtesy of Pete Tong! The compilation is comprised of music from the motion picture 'Human Traffic'. Double slimline jewel case. 1999 release.Nominated for Two Golden Globes® - Best Actress and Best Actor in a TV Miniseries; Lifetime Television's most-watched miniseries of 2005. Featuring Emmy® and Golden Globe® Award winner Donald Sutherland (The Italian Job), Academy Award® and Golden Globe® Award winner Mira Sorvino (Mighty Aphrodite) and Trainspotting's Robert Carlyle, Human Trafficking is at once a gripping thriller, a cautionary tale,! and one of the most fundamentally important stories of our ti! me. DVD Features include: Interviews with Mira Sorvino and Robert Carlyle, Behind the Scenes with the cast and crew, and A "Take Action" Guide to shop human trafficking now! The Lifetime cable channel made TV history with this ambitious, acclaimed original miniseries on the horrifying phenomenon of human trafficking, or sexual slavery. It follows the fictional cases of young women around the world, lured or abducted, sometimes right off the street, into a world of unspeakable brutality--which the filmmakers show in almost overwhelming detail at times. Mira Sorvino and Donald Sutherland star as American government officials bent on exposing and stopping the phenomenon, and both are more than serviceable in their roles. But the revelation is Robert Carlyle, the Scottish star of The Full Monty and Trainspotting, who here is transformed into a ruthless criminal mastermind behind his own trafficking network. Even his Eastern European accent is spot-on and blood-chilling. Th! e supporting cast of women and girls is strong, and in some cases, truly heartbreaking. And while sometimes almost unbearably harsh, the film serves as a reminder this terrible situation still exists and thrives; and told through the characters, is also a well-paced thriller. --A.T. Hurley

The Gravedancers - After Dark Horrorfest

  • Commentary with Director Mike Mendez and Composer Joseph Bishara
  • "A Grave Undertaking" Featurette with Optional Commentary
  • "Making the Ghosts" Featurette
  • Deleted Scenes with Optional Commentary
  • Storyboard Galleries * Original Trailer with Optional Commentary
AFTER DARK HORRORFEST - DVD MovieMonsters are on the minds of the eight directors whose films comprise the 2007 After Dark HorrorFest, which arrives on DVD in an eight-disc set as well as single-disc editions. And it's interesting to note that while there are plenty of traditional monsters on display, from the vengeful spirits of Crazy Eights and Nightmare Man to the rampaging alien in Unearthed, the majority of the creatures causing havoc in the 2007 HorrorFest are all too human, which underscores one of the key functions of the horror genre: to give a face to society's darkest and mos! t pressing fears. The best showcase for these human beasts is Jim Mickle's urban creepshow Mulberry Street, which details the outbreak of a rat-borne virus that turns New York City residents into rodent-like mutants. The monsters themselves are actually the least effective part of the film; rather, it's Mickle's ability to create both a slow-boiling panic and believable characters on a shoestring budget that gives his picture the advantage over the others in the fest. Less agreeable is Borderland, a well-photographed but mildly xenophobic splatterfest about American college students who run afoul of bloodthirsty Mexican Satanists, while Lake Dead and Tooth and Nail recycle overly familiar horror tropes (mutant hillbillies vs. city folk in , and cannibals vs. apocalypse survivors in Tooth). Of the two, Tooth is the more appealing thanks to its name cast (Michael Madsen, Robert Carradine, Vinnie Jones), while Lake offers little more than unrelieved sadism and sexual violen! ce.

< i>The Deaths of Ian Stone offers the fest's most intriguing premise--after a terrible accident, a young man (Mike Vogel of Cloverfield) discovers that he is being reborn as different people, only to suffer an even worse fate with each reincarnation--though the reasons for his condition and the introduction of monsters to the story are ill-conceived and ill-advised. As for the remaining titles, Unearthed is simply Alien in the desert (ground already covered with panache by Feast), while Nightmare Man is a HD-lensed supernatural slasher from the usually reliable Rolfe Kanefsky (The Hazing) that's enlivened only by the presence of B-movie stalwart Tiffany Shepis. With so much varying quality in the entries, what the 2007 HorrorFest needed was a rock-solid entry by an established talent, like Nacho Cerda's The Abandoned and Takashi Shimuzi's Reincarnation, which gave some spark to the 2006 festival. Judging by the tepid! box office response to this series, stronger names or more careful selection of titles will be necessary for the HorrorFest to remain an annual event. Unlike the 2006 HorrorFest DVD releases, only a handful of the 2007 festival's discs offer extras. It seems odd that two of the weakest entries--Borderland and Nightmare Man--are the only discs to feature substantial supplemental features, including director and cast commentary, deleted scenes, and making-of featurettes, as well as a short documentary on Borderland about the true-life crimes that inspired the film. However, Nightmare Man's extras have a distinct edge thanks to the participation of Shepis, who brings a salty sense of humor to the commentary and also directs an amusing making-of featurette that elicits funny (and honest) responses from the cast and crew. Included on every disc are The Miss HorrorFest Webisodes, a wan collection of reality show-style vignettes that follow a contest t! o find the festival's new, scantily clad spokesmodel. -- P! aul Gait aNo Description Available.
Genre: Horror
Rating: UN
Release Date: 8-JAN-2008
Media Type: DVDA group of friends' lives are invaded by a trio of hostile ghosts after they engage in a drunken bout of gravedancing during a wake for an old chum.

Holy Man

  • The always hilarious Eddie Murphy stars with Jeff Goldblum and Kelly Preston in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman is praying for a miracle that will lift the network s lousy ratings and save his job. Then, from out of nowhere, G walks into his life! An outrageous, sel
They came from far and wide to see the Holy Man, to find new direction in their lives. They walked away, changed for ever by simple words of wisdom so powerful, yet so universal.The Holy Man is a delightful pilgrim's tale set in the modern world. Written with wit and verve, it tells the story of a gentle-natured disciple who, in the space of a week, moves from fear and doubt to joyful enlightenment. Anna's teacher is Joe, a wise and patient sage who sees in her the acolyte he has long b! een seeking. As their relationship grows, she begins to assume his mantle, while he sees her become ever more sure-footed. Watching this relationship unfold is wonderful, and Susan Trott shows uncanny insight into the nature of friendship as well as the interplay between pupil and teacher.

But this novel isn't solely about Anna's progression towards enlightenment, since she doesn't come alone to the holy man's door--she is accompanied by her skeptical husband, Errol, and their two children. They, too, have spiritual journeys to make, and in so doing enrich and instruct both Anna and her mentor. The Holy Man is a charming read and an uplifting one that never veers into the sentimental or trite. --Lucas LoBlack, Amazon.co.ukThe always hilarious Eddie Murphy (DR. DOLITTLE) stars with Jeff Goldblum (JURASSIC PARK) and Kelly Preston (JERRY MAGUIRE) in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out ! senior executive at the Good Buy home shopping channel, Ricky ! Hayman ( Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then, from out of nowhere, "G" (Murphy) walks into his life! An outrageous, self-styled inspirational guru with a knack for showing up where he isn't exactly wanted, "G" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting savior Ricky's network has been looking for! Also featuring a host of well-known celebrities in a sidesplitting series of comic infomercials -- you're bound to be another satisfied customer with nothing but praise for HOLY MAN!Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine t! hrough, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening effect on spiritual well-being.

Murphy plays an enlightened eccentric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of com! edy and commentary, and receptive viewers will be grateful, at! a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

POGO Hearts, Spades and More!

  • $0.99 for a limited time
First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the infamous Shamrock Hotel from which Aiden Keane doesn't collect. But with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A de! al is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please visit: thedivaspen.com.First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the inf! amous Shamrock Hotel from which Aiden Keane doesn't collect. B! ut with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A deal is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please ! visit: thedivaspen.com.Play 5 popular card games: Hearts, Spades, Euchre, Gin and Canasta.

In Hearts, the goal is to win as few points-paying hearts as possible or to win all the points-paying cards at once. The winner is the one who finishes with the game with the fewest points. In Spades, the goal is to bid and win a specific number of hands, by playing the highest card by round or by playing the highest spade. The team that bids and wins the most hands, wins the game. In Euchre, the goal is for you and your partner to get as many tricks per round as possible. You get tricks by having the highest trump card or highest suited card if no trump card is played. The team that scores 10 points first wins. The goal of Gin is to make sets of cards, based on runs in suit or matching rank. The player who can make the most matches earliest typically wins. In Canasta, you make sets of up to seven cards. The player who first makes sets of all his cards will make the most po! ints typically wins.

Learn and master each game thr! ough in- depth tutorials with rules and tips on how to improve your play and track your stats across all 5 games.

What game are you going to play first