Friday, November 25, 2011

Assisted Living

  • "Assisted Living" chronicles a day in the life of Todd, a janitor who spends his days smoking pot and interacting with the residents for his own entertainment. Todd's detachment from his surroundings is compromised only by his unlikely friendship with Mrs. Pearlman, a resident who begins to confuse him with her son. On this particular day, Todd must choose whether or not to play the part. "Ass
Newly revised and updated, this acclaimed, complete guide delivers what people need to know to help an aging loved one--a must for all caregivers!

Written by two distinguished psychologists for spouses, siblings, and adult children, this frank and highly useful guide is meticulously organized to provide answers, dispel myths, anticipate needs, and provide strategies for dealing with every aspect of in-home and facility care.

With chapters on choosing the right placement setting, nav! igating the bureaucracy of today's eldercare system, and determining how best to pay for services, this revised edition includes new information on:

*diagnosis
*interventions
*insurance, legal, and policy matters
as well as updated checklists, phone and Internet lists, budget worksheets, and questionnaires.

The demand for residential communities for seniors rises as the U.S. population continues to age. This growth means that new administrators and staff members often are learning by trial and error the complicated task of delivering high-quality and consistent services to elderly persons. While many new facilities have been successful, others have been plagued by a variety of administrative and financial difficulties. Senior Living Communities remains the definitive guide to managing these facilities.

In this thoroughly updated and revised edition, Benjamin W. Pearce offers a wealth of sound advice and practical solutions. He discuss! es resident relations, operating methods, staffing ratios, dep! artment management, cost containment, sales and marketing strategies, techniques of financial analysis, budgeting, and human resources. New chapters address issues particular to dementia care and architecture, and the appendix contains a department-by-department audit of senior living operations.

From the front lines to the boardroom, this book should be a part of every decision-making process for improving and maintaining assisted living, congregate, and continuing care retirement communities.

Newly revised and updated, this acclaimed, complete guide delivers what people need to know to help an aging loved one--a must for all caregivers!

Written by two distinguished psychologists for spouses, siblings, and adult children, this frank and highly useful guide is meticulously organized to provide answers, dispel myths, anticipate needs, and provide strategies for dealing with every aspect of in-home and facility care.

With chapters on choosing the right pl! acement setting, navigating the bureaucracy of today's eldercare system, and determining how best to pay for services, this revised edition includes new information on:

*diagnosis
*interventions
*insurance, legal, and policy matters
as well as updated checklists, phone and Internet lists, budget worksheets, and questionnaires.

"Since there are few books available on this topic that are this comprehensive and well-organized, this book should be of value to anyone interested in the topic of assisted living facilities in the U.S." Score: 98, 5 stars

--Doody's

"This book is much needed. It offers a practical approach to key issues in the management of an assisted living facility It is especially pleasing to see the long needed collaboration between nursing, social services, and education that is reflected by the training of the authors. This book is an important milestone for the field of aging and assisted! living administration."

Robert Newcomer, Ph! D,
Department of Social and Behavioral Sciences
University of California-San Francisco
(From the Foreword)

Assisted Living Administration and Management contains all the essentials for students new to the field, as well as nuanced information for professionals looking to fine-tune their skills. This comprehensive resource provides deeper insights to address the ever-changing world of the assisted living community, containing effective best practices and model programs in elder care. The authors provide the necessary tools and tips to maximize the overall health, safety, and comfort of residents.

This landmark reference, for assisted living and senior housing administrators as well as graduate students, contains the most practical guidelines for operating assisted living facilities. It offers advice on hiring and training staff, architecture and space management, and more. This multidisciplinary book is conveniently organized to cover the most cr! ucial aspects of management, including organization; human resources; business and finance; environment; and resident care.

Key Features:

  • Highlights the most effective practices and model programs in elder care that are currently used by facilities throughout the United States
  • Contains useful details on business and financial management, including guidelines for marketing, legal issues and terms, and public policy issues
  • Includes chapters on environmental management, with information on accessibility, physical plant maintenance, and disaster preparedness
  • Emphasizes the importance of holistic, resident care management, by examining the biological, psychological, and social aspects of aging
  • Enables students to evaluate, analyze, and synthesize information on how to operate assisted living facilities
ASSISTED LIVING - DVD Movie

Bruce Almighty (Widescreen Edition)

  • TESTED
Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relati! on to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of! overstuffed techno-comedies such as 1941 and Howard! the Duc k (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Evan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his! doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth)! .

Carell gets to do silly dances and mix it up with a ! variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Evan Almighty is a comedy for all ages tha! t "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's ! character is much altered from his supporting part in the firs! t film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out th! e lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and ! prepare for an impending inundation, Evan sheepishly takes on ! the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Ca! rell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonDVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers ! a sappy, safely diluted notion of faith that lacks the sinceri! ty of th e 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

Walk All Over Me

  • A dangerously deviant ride that will leave you begging for more! Latex and larceny meet in this sexy thriller about Alberta (Leelee Sobieski, Eyes Wide Shut), a small-town screw-up who escapes to Canada only to move in with a beautiful but tough dominatrix. Secretly taking on her roommate's identity, Alberta gets caught between half a million stolen dollars and the brutal thugs who want it
If you've forgotten what it's like to be fifteen, it all comes crashing back in this wonderfully edge look at the relationship between a sensitive, vulnerable young girl named Claude and her beautiful, quick-witted best friend Ellen.This gritty 1997 film marks the merging of several budding talents: sisters Sylvia and Alex Sichel, who serve as writer and director, and actors Alison Folland (To Die For), Tara Subkoff, and Murmurs singer Leisha Hailey. The idea behind the movie was the Sichels' awe at! ever having survived being teenage girls in the big city.

All Over Me is about Claude (Folland) a shy, overweight teen who works in a pizza parlor after school and is secretly in love with her best friend Ellen (Subkoff). But Ellen is far ahead of Claude in development. She has an older boyfriend, and she harbors a bad case of destructive self-loathing that erupts frequently and with a fury. But All Over Me isn't just a teenage cautionary or coming-out tale. It's as much a story of New York and its unbearably long, hot summers as it is the downtown music scene or teenage dreams and struggles with adult issues. More than that, it's a well-made film that has its own rhythm, working slowly to give us insight into the girls' natures. It succeeds admirably in taking us back to that age when everything seemed possible despite the dangers of the city closing in. Growing up has never felt as close to home or as scarily realistic. --Paula NechakWhen a sou! ndtrack is done exactly right, the music captures the film's m! ood, bot h before and after the movie. All Over Me's soundtrack is just that kind of collection. The film about a young girl's tender and troubled coming out process in the unforgiving streets of New York City's Hell's Kitchen districts, finds the lead actress (Alison Folland)'s many moods surrounded and enhanced by the brilliant Geraldine Fibbers' "Dragon Lady", the desperate "Descent" by relative unknowns Remy Zero, and a handful of riot grrl favorites including Sleater-Kinney's "I Wanna Be Your Joey Ramone" and Ani DiFranco's "Shy". The perfect emo-mix of music, All Over Me is exactly balanced between artists you know and love and artists you will grow to love. --Denise SheppardThis gritty 1997 film marks the merging of several budding talents: sisters Sylvia and Alex Sichel, who serve as writer and director, and actors Alison Folland (To Die For), Tara Subkoff, and Murmurs singer Leisha Hailey. The idea behind the movie was the Sichels' awe at ever ha! ving survived being teenage girls in the big city.

All Over Me is about Claude (Folland) a shy, overweight teen who works in a pizza parlor after school and is secretly in love with her best friend Ellen (Subkoff). But Ellen is far ahead of Claude in development. She has an older boyfriend, and she harbors a bad case of destructive self-loathing that erupts frequently and with a fury. But All Over Me isn't just a teenage cautionary or coming-out tale. It's as much a story of New York and its unbearably long, hot summers as it is the downtown music scene or teenage dreams and struggles with adult issues. More than that, it's a well-made film that has its own rhythm, working slowly to give us insight into the girls' natures. It succeeds admirably in taking us back to that age when everything seemed possible despite the dangers of the city closing in. Growing up has never felt as close to home or as scarily realistic. --Paula NechakLatex and larceny ! meet in this sexy thriller about Alberta (Leelee Sobieski, Eye! s Wide S hut), a small-town screw-up who escapes to Canada only to move in with a beautiful but tough dominatrix. Secretly taking on her roommate s identity, Alberta gets caught between half a million stolen dollars and the brutal thugs who want it back.

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No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 8-JAN-2008
Media Type: DVDDelta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the! not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who mi! ss the sophisticated good ol' boy humor of Smokey and the B! andit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonDown on his luck after losing his job and his girlfriend on the same day, Larry decides to join his neighbor, Bill (Bill Engvall), and his combat-happy buddy, Everett (DJ Qualls), for a relaxing weekend of drinking and target practice. But when the three hapless guys are mistaken for Army Reservists by the hard-nosed Sergeant Kilgore (Keith David), they're loaded onto an army plane headed for Fallujah, Iraq - and mistakenly ejected in a Humvee somewhere over Mexico. Convinced they're actually in the Middle East, the clueless wannabe soldiers save a rural village from a siege of bandits and become local heroes. But when Carlos Santana (Danny Trejo), a ruthless, karaoke-loving warlord, strikes back, Larry, Bill and Everett have to lay down their beers and take up their arms - and prove they just might be ! real soldiers after all...Delta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army No! w than to Buck Privates or Stripes. Delta! Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonDown on his luck after losing his job and his girlfriend on the same day, Larry decides to join his neighbor, Bill (Bill Engvall), and his combat-happy buddy! , Everett (DJ Qualls), for a relaxing weekend of drinking and target practice. But when the three hapless guys are mistaken for Army Reservists by the hard-nosed Sergeant Kilgore (Keith David), they're loaded onto an army plane headed for Fallujah, Iraq - and mistakenly ejected in a Humvee somewhere over Mexico. Convinced they're actually in the Middle East, the clueless wannabe soldiers save a rural village from a siege of bandits and become local heroes. But when Carlos Santana (Danny Trejo), a ruthless, karaoke-loving warlord, strikes back, Larry, Bill and Everett have to lay down their beers and take up their arms - and prove they just might be real soldiers after all...Delta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first ! class from RoadTrip), who take respite from their failed relat! ionships , jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gros! s-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonStudio: Lions Gate Home Ent. Release Date: 11/16/2010Larry The Cable Guy plays a big city health inspector who's happy with his usual beat of greasy spoon diners. His easygoing life is turned upside down when he's saddled with a straight arrow rookie partner. When his unorthodox methods cost him his job, Larry has to go undercover to bring the conspirators to justice and "Git-R-Done!"The redneck rube from the Blue Collar Comedy Tour franchise plays a character much like himself in! this feature, which balances Larry the Cable Guy's occasional! excesse s in toilet humor with strong comic performances from the supporting cast. Larry plays a dedicated health inspector who gets in over his head when the city mayor (Joe Pantoliano) personally appoints him to investigate a rash of food poisonings at five-star restaurants. Larry's ignorance of anything cultural that doesn't involve his truck or MoonPies proves a handicap, but his knowledge of vermin and disarmingly unabashed way of interviewing witnesses and suspects slowly gets him where he needs to go. For the most part, the movie gives the comedian plenty of room to indulge his gross-out shtick. But it helps to have some other talent on board, notably Tom Wilson as Larry's exasperated boss, Iris Bahr as a dreary new partner Larry thinks is a man, David Koechner as a halfwit friend, Joanna Cassidy as a restaurant owner, and Megyn Price as Larry's shy but headstrong girlfriend. --Tom KeoghLarry the Cable Guy returns for another comic misadventure as a small town sheriff ! who unwittingly gets involved in a high profile FBI case. Larry single-handedly "rescues" a sophisticated woman from the men who are actually protecting her. The hilariously mismatched duo must grapple with angry FBI agents, quack doctors and Chicago high society in his funniest, most unpredictable adventure yet.It's official; Larry the Cable Guy is the new Ernest, and critics be damned. You want smart and sophisticated? Buy The Noel Coward Collection. Larry's a populist from the "I'd rather keep my fans happy" school, and his loyal following will be ecstatic with this film's broad slapstick, what one initially offended character calls "feeble, juvenile, and bigoted" humor, and gross-out bodily function gags (nude body-cavity search, anyone?). Larry portrays a small-town deputy with dreams of becoming an FBI special agent. "I know a criminal when I see one, a rat when I smell one, and a bad moon when it rises," he drawls. When he spies a woman (Ivana Milicevic) in th! e company of sinister-looking, Men in Black types, he r! escues t he "damsel in dee-stress." However, she is a government-protected witness en route to Chicago to testify in a sensational trial of Enron proportions. "Are you insane?" she asks him. "No," he replies, "I'm Larry." The film gets plenty of mileage out of their odd coupleness. Her cell-phone ringtone is classical music; his is the theme from Green Acres. She eats salads; he gorges himself on sausage. She's a liberal (who gets off an "impeach Bush" joke) and he bleeds U.S. Red (at one point, the action pauses for a small-town "Support Our Troops" parade).

Witless Protection also benefits from some oddball casting. Yaphet Kotto costars as FBI Agent Alonzo Mosely (the name of his character in the classic Midnight Run). Peter Stormare, the silent, creepy kidnapper in Fargo, portrays a corrupt businessman with an unaccountable British accent. In a baffling cameo, Joe Mantegna seems to be channeling Strother Martin, while Jenny McCarthy serves up some sa! ss as Larry's waitress girlfriend, nuff said, and a game Eric Roberts is a goon who butts heads with Larry in an epic fight scene. Some jokes are stale (Larry dredges up Regis Philbin's Who Wants to Be a Millionaire catch-phrase), while others are current enough to reference Michael Vick and Angelina Jolie. It is a sign of artistic growth that Larry does not utter his own signature catch-phrase, so we won't either. Witless Protection was released theatrically during Oscar weekend, when Hollywood celebrates supreme achievement in film. This is what is known in the business as counter-programming. --Donald LiebensonStudio: Lions Gate Home Ent. Release Date: 09/02/2008 Run time: 85 minutes Rating: PgBait Shop stars the eternally affable yet exasperated comedian Bill Engvall as Bill Dugan, owner of a homey but smalltime bait shop. Bill's job and self-respect are threatened when arrogant fishing celebrity Hot Rod Johnson (Billy Ray Cyrus, better k! nown as Miley's dad) opens a massive fishing superstore right ! next doo r. Only by challenging Hot Rod in a bass fishing tournament can Bill set things right! Bait Shop is a bundle of clumsy cliches made somewhat tolerable by a likable cast (including outlaw country music singer Billy Joe Shaver as Bill's mentor) and an enthusiastic performance by Cyrus, who clearly enjoys being the bad guy for once. High points include Bill having a bar fight while dressed in a fish costume and Bill wrestling an obviously rubber bass into his boat. There are many declarations about how fishing used to be more pure and how friendship is the most important thing in life. Extras include a standard-issue making-of documentary, some beautiful shots of the local landscape (which, inexplicably, never got used in the movie itself), some understandably deleted scenes and some scenes of the cast goofing around. All in all, not much effort was put into making either the movie or the DVD. --Bret Fetzer

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"F" is for Fugitive (Kinsey Millhone Mysteries)

  • ISBN13: 9780312939045
  • Condition: New
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Forever altered by his experience in Furnace Penetentiary, Alex has done the impossible and escaped. But the battle for freedom is only just beginning. Charged with his superhuman abilities, Alex must uncover the last of Furnace’s secretsâ€"the truth about the man who built the prison, the man known as Alfred Furnace. And to do that he must stop running and finally confront his greatest fears.

When Kinsey Millhone first arrives in Floral Beach, California, it's hard for her to picture the idyllic coastal town as the setting of a brutal murder. Seventeen years ago, the body of Jean Timberlake--a troubled teen who had a reputation with the boys--was found on the beach.! Her boyfriend Bailey Fowler was convicted of her murder and imprisoned, but he escaped.

After all this time, Bailey's finally been captured. Believing in his son's innocence, Bailey's father wants Kinsey to find Jean's real killer. But most of the residents in this tight-knit community are convinced Bailey strangled Jean. So why are they so reluctant to answer Kinsey's questions? If there's one thing Kinsey's got plenty of it's persistence. And that's exactly what it's going to take to crack the lid on this case.

As Kinsey gets closer to solving Jean's murder, the more dirty little secrets she uncovers in a town where everyone has something to hide--and a killer will kill again to keep the past buried...

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When Jared Dillian joined Lehman Brothers in 2001, he fulfilled a life-long dream to make it on Wall Streetâ€"but he had no idea how close to the edge the job would take him.

Like Michael Lewis’s classic Liar’s Poker, Jared Dillian’s Street Freak takes readers behind the scenes of the legendary Lehman Brothers, exposing its outrageous and often hilarious corporate culture.

In this ultracompetitive Ivy League world where men would flip over each other’s ties to check out the labels (also known as the “Lehman Handshake”), Dillian was an outsider as an ex-military, working-class guy in a Men’s Wearhouse suit. But he was scrappy and determined; in interviews he told potential managers that, “Nobody can work harder than me. Nobody is willing to put in the hours I will put in. I! am insane.” As it turned out, on Wall Street insanity is not an undesirable quality.

Dillian rose from green associate, checking IDs at the entrance to the trading floor in the paranoid days following 9/11, to become an integral part of Lehman’s culture in its final years as the firm’s head Exchange-Traded Fund (ETF) trader. More than $1 trillion in wealth passed through his hands, but at the cost of an untold number of smashed telephones and tape dispensers. Over time, the exhilarating and explosively stressful job took its toll on him. The extreme highs and lows of the trading floor masked and exacerbated the symptoms of Dillian’s undiagnosed bipolar and obsessive compulsive disorders, leading to a downward spiral that eventually landed him in a psychiatric ward.

Dillian put his life back together, returning to work healthier than ever before, but Lehman itself had seemingly gone mad, having made outrageous bets on commercial real estate, and was qui! ckly headed for self-destruction.

A raucous account of the ! final ye ars of Lehman Brothers, from 9/11 at its World Financial Center offices through the firm’s bankruptcy, including vivid portraits of trading-floor culture, the financial meltdown, and the company’s ultimate collapse, Street Freak is a raw, visceral, and wholly original memoir of life inside the belly of the beast during the most tumultuous time in financial history. In his electrifying and fresh voice, Dillian takes readers on a wild ride through madness and back, both inside Lehman Brothers and himself.Captain Sam Cahill (Maguire) is embarking on his fourth tour of duty, leaving behind his beloved wife (Portman) and two daughters. When Sam’s Blackhawk helicopter is shot down in the mountains of Afghanistan, the worst is presumed, leaving an enormous void in the family. Despite a dark history, Sam’s charismatic younger brother Tommy (Gyllenhaal) steps in to fill the family void.Screenwriter David Benioff (The 25th Hour) didn't have to do much to reloca! te Brothers from Denmark to America. The story remains the same: Captain Sam Cahill (Tobey Maguire) loves his family, but he's equally devoted to his career. Just as his ne'er-do-well brother, Tommy (Jake Gyllenhaal), exits prison, where he did time for robbery, the Marines deploy Sam to Afghanistan. Tommy starts looking in on his wary sister-in-law, Grace (Natalie Portman), but then Sam's helicopter crashes in the mountains, and the military informs Grace that her husband has died. Unbeknownst to the Cahill clan, the Taliban has taken Sam hostage and tortures him to elicit information. Sam resists, but his colleague caves, leading to an unthinkable act. Back in New Mexico, Grace and Tommy grow closer, stopping just short of a full-blown affair (in Susanne Bier's original, they take the plunge). Even Tommy's disapproving Vietnam vet father, Hank (Sam Shepard), sees his son in a new light after Tommy renovates Grace's kitchen. But when Sam is rescued by his company,! he returns a broken man and is convinced that his wife has fa! llen in love with his brother. Even his daughters are afraid of him (Bailee Madison impresses as the eldest). As in Bier's film, Jim Sheridan (In America) elevates redemption and forgiveness over tragedy and loss, and his well-meaning remake gets off to a solid start, but it loses steam by the end. Brothers offers a compelling scenario, but the telling is too overstated to capture the full heartbreak of the situation. --Kathleen C. Fennessy

Stills from Brothers (Click for larger image)





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