What Is Fashion

• Extended Interviews
• Alternate Scenes
• Deleted Scenes
• Never before seen concert footage
• Wine Documentary

Milla Jovovich stars as Kat, a beautiful bad girl with a passion for guns and danger. Stuck in a life of crime and controlled by her ruthless, drug-dealing boyfriend Big Al (Angus Macfadyen), she wants more than what he has to offer. When Kat starts making her own deals and Big Al’s sidekick (Stephen Dorff) professes his love for her, tensions rise and jealousy explodes. Desperate to start a better life, Kat knows revenge is the only answer. Now, with help on her side, she can take down Big Al once and for all. Milla Jovovich (Resident Evil, The Fifth Element), Cameron Bright (X-Men 3), Nick Chinlund (The Legend of Zorro) and William Fichtner (The Longest Yard) star in this theatrical set in the late 21st century, a subculture of humans have emerged who hav! e been modified genetically by a vampire-like disease (Hemophagia), giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war (a war between humans and hemophages) aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.As an overdose of eye candy, Ultraviolet can be marginally recommended as the second-half of a double-feature with Aeon Flux. Both films are disposable adolescent fantasies featuring a butt-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance o! f low-budget CGI. Director Kurt Wimmer fared much better with ! his earl ier film Equilibrium, but he's trying for a lively comic-book vibe here (beginning with Hulk-like opening credits) with a digitally enhanced, Tron-like color palette. It largely suits this late-21st century story of a "blood war" between the ultra-violent Violet (Jovovich), member of a vampire-like group of resistance fighters infected with a man-made virus called the Hemophage, and the human Vice Cardinal Daxus (Nick Chinlund), who's determined to eliminate Violet's kind once and for all. Wimmer takes all of this way too seriously, crafting a plot involving Violet's rescue of a human clone boy (Cameron Bright) that's intended as an homage to John Cassevetes' 1980 drama Gloria, but Wimmer's good intentions are mostly lost in a repetitive series of chaotically choreographed fight scenes, mostly involving the tight-bodied Jovovich wiping out dozens of armor-clad enemies. It's all too numbingly hectic to qualify as a satisfying movie, but sci-fi buff! s should give it a look anyway, if only to see how locations in Shanghai and Hong Kong contribute to the film's futuristic design.--Jeff ShannonMILLA The Divine Comedy (1994 US 11-track silk-screened picture CD debut album featuring Gentleman Who Fell Your Life Charlie and Clock picture/lyric booklet sleeve K2-27984)You'd expect this to be a travesty. Milla Jovovich is a model and actress (The Fifth Element, He Got Game) who decided to put out an album of dark, lyrical art-rock in the manner of Dead Can Dance or This Mortal Coil. That's a demanding genre, littered with the bones and witchy jewelry of dozens of histrionic types who got the image thing right, but who never ironed out the "singing" and "songwriting" aspects of it all. Model? Actress? (Gong!) ... Next! Except The Divine Comedy is a stunningly good album, with folky-pastoral instrumentation, haunting, accomplished vocals, and tight songwriting. There are, it's true, session pros all o! ver this CD--which tempers the awe a bit--but nonetheless, it'! s a real gem from an unlikely source. --Gavin McNettIn remote Alaska, citizens have been mysteriously vanishing since the 1960s. Despite multiple FBI investigations, the truth behind the phenomena had never been discoveredâ€"until now. While videotaping therapy sessions with traumatized patients, psychologist Dr. Abigail Tyler (Milla Jovovich) unwittingly exposes terrifying revelations of multiple victims whose claims of being visited by alien figures all share disturbingly identical details. Based on actual case studies, The Fourth Kind uses Dr. Tyler’s never-before-seen archival footage alongside dramatic reenactments to present the most disturbing evidence ever documented in this provocative thriller critics are calling “terrifyingly real…The most shocking alien abduction movie to date.” â€"Tim Anderson, BLOODY-DISGUSTING.COMNome, Alaska: the edge of the world. What better place for the extraterrestrials to conduct their fiendish abduction experiments? Or so ! the makers of The Fourth Kind insist, in their grim attempt to reveal the truth about these mysterious disappearances. You know the movie means business when actress Milla Jovovich (as herself, without makeup, even) strides toward the camera in the opening moments and introduces things by warning us that we are about to see and hear actual tapes from psychotherapy sessions in which patients recover repressed memories. We might find it disturbing. Yes, but isn't that why we're watching the movie? Director Olatunde Osunsanmi soon appears onscreen himself, interviewing the real psychologist whom Jovovich plays, and throughout the film there are rough-looking videos of real people freaking out during hypnosis sessions--and even a bit of alien screeching caught on audio tape. Yep, it's all real, except it's all fake. The Fourth Kind has an ingenious marketing idea, which is to breathlessly convince the audience they are seeing actual footage of the supposed events,! even to the point of playing the video excerpts next to the s! tudio-sh ot scenes with actors. After a while, you realize that's all the movie has: the audience's willingness to believe there's a ghost of a chance this might have happened. As a horror movie, the thing is clinical and detached, and when you've figured out the bogusness of the conceit, that doesn't leave much. Elias Koteas and Will Patton join Jovovich in the heated story--or should we say, reconstructions of actual events. Aw, phooey. --Robert HortonMilla Jovovich, Steve Zahn, Timothy Olyphant and Kiele Sanchez star in this gripping suspense-thriller about an island vacation that turns deadly. Honeymooners Cliff (Zahn) and Cydney (Jovovich) are hiking a jungle trail to a remote Hawaiian beach when they hear that police have uncovered a grisly murder scene and the suspected killers are somewhere nearby. Unsure whether to stay or flee, the pair joins two other couples and things start to go horribly wrong. Far from civilization, a brutal battle for survival begins where dang! er lurks along every twist of the path and no one is who they seem. From director David Twohy comes the suspenseful film critics call, “a clever, heart-pounding thriller” (Peter Hartlaub, San Francisco Chronicle).The good old B-movie flame burns bright in A Perfect Getaway, David Twohy's rip-snorting guessing game about a vacation gone very, very bad. It must have sounded nice in the planning stages: an isolated honeymoon trek to a remote beach on Kauai, with nothing but backpacks, Hawaiian breezes, and the occasional pleasant encounter with a fellow wayfarer on the hiking trail. That was the plan for newlyweds Cliff and Cydney, anyway, before a shocking murder in Honolulu, the night before the hike, raised the red flag of suspicion. What we're left with is six couples on a lonely trail in paradise, a murderer (but probably two murderers), and a great deal of anxiety. Cliff and Cydney are played by Steve Zahn and Milla Jovovich; Timothy Olyphant and Kiele Sanchez! are a pair of friendly but vaguely disturbing trailmates; Chr! is Hemsw orth and Marley Shelton are a downright creepy couple who won't go away. Twohy has a knack for infectious concepts (see also Pitch Black and The Arrival) and this one is grabby; he's also got a mysterious ability to play the premise straight yet somehow have a great deal of fun with it (for instance, there's much trail talk about the rules of screenwriting, which comes across as playful rather than clumsily self-conscious). The casting works, even if it's difficult for Milla Jovovich to seem in danger from anybody else in the world. Timothy Olyphant is the standout, as a former Special Ops soldier whose survival skills are impressive-bordering-on-scary. Although the film is undeniably built as a whodunit, worry less about the big "reveal" than about having a good time with fun pulp material. Come to think of it, though, the reveal is well played too. --Robert Horton

Stills from A Perfect Getaway (Click for l! arger image) The fourth installment of the hugely successful Resident Evil franchise, Resident Evil: Afterlife is again based on the wildly popular video game series. In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Milla Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Und! ead takes them to Los Angeles, but when they arrive the city i! s overru n by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.In Paul W.S. Anderson's Resident Evil: Afterlife, the fourth entry in the seemingly endless action-science fiction horror franchise based on the popular Capcom video game series, plot, dialogue, and character development all remain secondary considerations: What's key here are the set pieces that allow Milla Jovovich to unleash maximum damage to virally infected zombies, villainous henchmen, and just about anyone else who stands in the way of her stopping the shadowy Umbrella Corporation. Jovovich retains the blend of grit and pulchritude that have made her a fanboy favorite (though said viewers may decry the film's bit of shower-scene interruptus), and she's well supported by returning cast members Ali Larter and Boris Kodjoe (Undercovers) and Prison Break's Wentworth Miller, who, as Claire's brother, is back behind bars in a postapocalyptic jail overrun by ! plague zombies. Those looking for more than what the Resident Evil franchise is designed to provide--souped-up, B-movie thrills--are advised to lower their expectations; franchise devotees should be pleased, especially by the film's final scene, which (naturally) sets up another sequel. --Paul Gaita
Genre: Action/Adventure
Rating: UN
Release Date: 9-DEC-2008
Media Type: DVDDREAMY DRAW RELEASING presents Blood Into Wine (DVD).

Maynard James Keenan, internationally known as the front man for Tool, A Perfect Circle and Puscifer, is one of music?s most mysterious figures.  A multi-million selling artist, little is known about the reclusive rock star who often dresses in costume and rarely gives interviews.  In the mid-1990's, on a whim, Keenan left Los Angeles and moved to an Arizona ghost town (population 300).  A wine enthusiast, he began to envision a world class wine region on the Verde! Valley's craggy slopes and with wine mentor Eric Glomski (for! mer Davi d Bruce winemaker and current owner of the award-winning Page Springs Cellars), Keenan began the long road to bringing credibility and notoriety to Caduceus and Arizona Stronghold Vineyards amidst wine industry prejudice and the harsh Arizona terrain. Blood Into Wine takes viewers into the struggles and triumphs with a unique blend of comedy and master storytelling.

Special Features Include:

• Bonus Interviews with Maynard and Eric.
• Exclusive Puscifer concert footage.
• Deleted scenes of Tim and Eric.
• And More!

Actors:
Maynard James Keenan, Eric Glomski, Milla Jovovich, Patton Oswalt, Bob Odenkirk, Tim Heidecker & Eric Wareheim, James Suckling.

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